“大力伤害”是小珂和子涵合作实施的户外社会剧场表演作品，旨在城市公共环境中有目的有针对性的实施其身体观念表演，以此连接艺术家的个人生活和所处的城市环境，并将表演艺术推上街头，尽最大可能地与公众接触，并产生互动，“大力伤害”将艺术家的艺术观念还原于生活当中，完成观念本身“从生活中来，消逝在生活中”的生命过程。
五号作品：“碾压”
2012年5月-6月 上海
在两个月的时间里，小珂和子涵带着100件纯白的T恤，在14个路口完成了所有T恤的碾压行为。每一件T恤上留下了汽车碾压的痕迹，并有了各自被碾压的详细信息。所有过程以影像，图片的方式完整记录。
2012年6月30日，7月1日，小珂子涵在北京纸老虎剧场，完成了以这100件碾压T恤为主题的身体剧场演出，名为《病房V来回》。“大力伤害V”将社会剧场行为，装置，影像，摄影，以及身体剧场结合在一起。让碾压回到马路上，回到剧场中，回到人们的记忆和思考中。
Darling Hurt is a series of outdoor social theatre works collaborated between two independent artists Xiao Ke and Zhou Zihan. Having the purpose to realize the conceptual body performance in the urban public environment, it no less connects the personal life of the artists with the city where they live than pushing the performing art onto the street which engenders the opportunity to have contacts as much as possible with the public as well the interaction. By restoring the artists’ ideas back into life, Darling Hurt is to fulfill the life process of the idea itself that what comes from life vanishes into life.
Darling Hurt V Crush
During two month from May to June 2012 in Shanghai, Xiao Ke and Zihan carried 100 white T-shirts and had all of them crushed at 14 crossroads. With the information of time and place being marked on it beforehand, every single T-shirt was crushed by the vehicles and the traces being kept.The whole process was completely recorded through video and photos. At June.30th and July.1st 2012, Sick Room V, To and Fro, a physical theatre work on the topic of the one hundred crushed T-shirts, was performed at Papertiger Theatre in Beijing. By linking different art forms such as social theatre, installation art, video, photography and physical theatre, Darling Hurt V puts “the crush” back to the street, to the theatre, and to people’s memory and thought.
